Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Frederic Edwin Church
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Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour  Related Paintings of Frederic Edwin Church :. | Stockbridge,Mass. | a country home | Above the Clouds at Sunrise | Autumn Shower | Landscape in Greece |
Related Artists:
Friedrich August von Kaulabch
Munich 1850-1920 Ohlstadt
Lydia Field Emmet
(January 23, 1866 - August 16, 1952) was an American artist best known for her work as a portraitist. She studied with, among others, prominent artists such as William Merritt Chase, Henry Siddons Mowbray, Kenyon Cox and Tony Robert-Fleury. Emmet exhibited widely during her career, and her paintings can now be found hanging in the White House, and many prestigious art galleries, including the Metropolitan Museum of Art. Emmet was born on January 23, 1866, at New Rochelle, New York, the seventh of ten children born to merchant William Jenkins Emmet and illustrator Julia Colt Pierson.
HIGHMORE, Joseph
English Painter, 1692-1780 English painter and writer. The son of a coal merchant and the nephew of Thomas Highmore (1660-1720), Serjeant-Painter to the King, he was articled to an attorney on 18 July 1707. Bored with his duties, he attended Kneller's Academy from 1713 and in 1715 abandoned law, setting up as a portrait painter in the City of London. From 1720 he attended the St Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He read widely and mastered Brook Taylor's system of perspective (1715). He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body (1722).






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